Archive for March 2008

I am so happy that Jabbawockeez won America’s Best Dance Crew!

I love to dance and I remember practicing and learning new steps with friends. I used to love any talent show or school performances that required dance or acting. There’s something about practicing and getting a move down and using that in front of everyone.

The thing that I love about the Jabbawockeez is how tight and precise they are with their movements. Which I know from experience takes a lot of practice and dedication to have everyone be in sync. This crew from San Diego uses masks and gloves to add some drama to their performances. Also, I’m not sure but I think their name comes from a Lewis Carroll poem and if that’s true, then I heart them even more.

Plus, their vibe reminds me of some friends and an ex-boyfriend who used to compete in dance-offs. So, it’s very sentimental to me. Here are some performances. Also, check out MTV overdrive for more videos!

When you click on the MTV link the video will open on another page.

♥ the alchemist

Yes, yes we know florals are everywhere!

In nature, on dresses, in your hair.

Perhaps.

There are times that I think I’m very close to being sick of the floral overload with clothes already…or am I? Done right, I can appreciate it. Done wrong…hmm.

These thoughts will not stop me from rocking my thrifted floral dresses and mixing and matching them with interesting patterns and textures, though.

I have realized that I am not sick of seeing gauzy, images with flowers. I’ve added many to the inspiration board.

Case in point, these images from Ellegirl Korea are just romantic and magical enough to keep me inspired.

    Ellegirl Floral Hair

Is there anything that you might be close to tiring of but still find inspiration in?

♥ the alchemist

As they say there are no new ideas.

Everything is pretty cyclical and there are many reincarnations of a basic idea. Besides trends in fashion there are trends in hairstyles that are have circular moments of revivals.

One of those is the bob.

Back in the 1920′s, the bob haircut was a blunt cut basically level with the ears all around. This was a huge departure from the long locks that were in fashion. With the popularity of Coco Chanel, Clara Bow and Louise Brooks the bob became the must-have hairstyle for the younger generation.

Louise Brooks

So, last year I did some research for a speakeasy party that I was attending. The kind of party where everyone would get dressed up to the nines,  in authentic style of clothing for the era, hairstyles, the works.  Oh what was the reason for this fabulous fete: all to celebrate the end of Prohibition. That’s the end of Prohibition. Let that thought simmer for a moment. 

So, I’ve had this image stashed in my files since the end of November. Here is the glorious Louise Brooks, the original jazz baby.

I mean, if this is not the epitome of glamour, then I don’t know what is.

So, this started me thinking about this classic hairstyle and it’s many interpretations and manifestations.

Rhianna

Although, Rihanna just went super short with her hair, didn’t she look lovely in this hairstyle?

I had a bob several years ago and that particular cut was mostly influenced from these two fabulous versions of Ms. Natalie Portman’s bobbed hair.

Here in 2002: this was the look that made me want to cut it to my chin and pretend that I was a glamourous movie star. It was this look that made me swoon.

Natalie Portman

And the original bad-ass haircut from one of my favorite movies ever (seriously, I must have watched it at least 15 times) Leon, The Professional.

Even at a young age, I thought this was a rocking hairstyle and for the longest time I wanted to be Mathilda…well, without all the family issues and messed up childhood.

It’s just that everyone in that movie was hardcore and I just wanted to be hardcore with a bob.

                   Natalie Portman

Don’t think its just the ladies, who rock this look. Please!

There’s the iconic drawing of the little Dutch Boy and No Country for Old Men is proof that if you want to scare people put a man in a bob.
                            Javier Bardem

♥ the alchemist

Happy, happy Friday!

Just want to leave you guys with some quick videos from the recent Bruce Weber photo shoot in W magazine dedicated to the lovely city of New Orleans. Featuring Karen Elson in all her red-headed glory. Enjoy.

Here is Harlequin

Here is A Closer Walk with Thee

Here is Petite Fleur

♥ the alchemist

Samantha PleetFrom the moment that I first stumbed onto Samantha Pleet’s designs, I have been a fan of her wonderful, incredible world and unique aesthetic that she has effortlessly created.

I was smitten by her Fall/Winter 07 presentation, complete with dandy-inspired clothes and beautiful photography. Um, hello dandy romper and vagabond vest!

What’s not to love?

Then, there was that gorgeous, dreamy film (She Comes In Colors) for the Spring/Summer 08 collection (which was filmed in her grandmother’s backyard). Another hit in my book.

Samantha Pleet
photos courtesy of samanthapleet.com
So, when I realized that her most recent Autumn/Winter collection was titled Rapscallion 2008, I could barely contain my excitement.

Samantha Pleet A/W 08
© Tim Zaragoza
Needless to say, I was more than happy to spend a day with this talented designer and see the clothes up close while geting some insight into her design process. Located in Williamsburg, Brooklyn; Samantha’s studio is a bright, cheery space filled with fashion books, personal ephemera, lots and lots of photographs and treasured pieces of friends’ art.

Essentially, it’s a creative haven and a stimulating environment for anyone. Everywhere, you turn becomes a visual treat for the eyes. From the central, common space where each wall is decorated differently (think a bright, blue wall; a graphic white and black wallpaper on another and a chalkboard wall complete with scribblings) to her actual studio room with light streaming in and an inspiration board covering a whole wall. Tacked to it are bits and pieces of imagery, polaroids and sketches, all of which were used for the Autumn/Winter 08 collection.

David BowieFor her latest collection, Samantha first found inspiration in this 1976 black-and-white mug shot of a dapper David Bowie. Which then led to a search for turn-of-the-century police mugshots and other notorious riff-raff and interesting vagabonds and rapscallions. Eventually, this idea evolved into the present collection a successful blend of modern silhouettes with playful details complete with names from a bygone era like: Mischief Romper, Treason Jacket, Riff Raff Vest, Bandit Blouse and Hellion Dress.

For the lookbook and fashion show, the models (all friends of Samantha’s) were photographed as if in a police line-up complete with a frontal shot, mug shot and profile view and a description of the crime they were booked for. What makes this collection even more special is the use and colloboration of many of her friends and family, including husband Patrick McGovern. (The two have started a men’s line which debuted this past January called Patrick Pleet).

While Samantha keeps a cabinet of curiosities in her house, she has a wooden trunk filled with childhood treasures and other bits of inspiration that she keeps on top of an archive closet in her studio. During, the day she pulled out a wonderful blue cape and an actual cap with a feather affixed to its side and perhaps the most special piece of all: the very first Samantha Pleet creation, a dress that she made and sewed with the help of her mother for a play she was in as a child. These are the kinds of things that keep Samantha inspired.

Samantha Pleet
© stylealchemy.com
Samantha’s definitely come a long way from wearing her own designs into her favorite stores (including TG-170) and having people compliment and order pieces as a result. Since graduating from Pratt** and debuting with her Fall 2006 collection, Samantha has been living the dream of many young designers which is to start their own business and have their designs be recognized.

Click to view our exclusive video featuring a behind-the-scenes look into Samantha Pleet’s studio.

Special thanks to Samantha Pleet for her time and to David Hartman of avant16.com for his wonderful video skills!!

**editor’s note: in the original article it stated Parsons which is inaccurate. Samantha is a Pratt alum.
♥ the alchemist

Happy, happy Friday! Things have been super hectic lately and I’ve always thought that I’ve been good at multi-tasking but did you know that there’s a whole ‘nother level of juggling? I’m not talking run of the mill juggling, think more along the lines of plate-spinning. Amazing! 

Anyway, all this means that I needed a little photo love courtesy of Flickr. Really what would we do without Flickr and all the people that share these amazing photos with the rest of us?

I’ve been dreaming up ideas for a photo shoot that I hope to work on soon and making some changes to this here blog. 

I’m really excited about the future and I know that I say this a lot but there are a bunch of cool things in the works for stylealchemy. Just want to say thanks to all of you who read this and stop off, I really appreciate it!           

   Delicate Mechanisms Collage
1. Dreaming of Spring Street, 2. the last ballad, 3. Cotton Candy and Caramel Corn, 4. eyelids

Any plans for the weekend?

♥ the alchemist

Senada Theory’s website and collection is the definition of femininity. The website is like the cover of a chick-lit book.

          Senada Theory
There’s lots of frills and frippery and though I can enjoy wearing a pretty dress, there are some things that might just be too girly for me. Which is why I love Rodarte, they’re wearable pieces of art with lots of voluminous fabrics but without leaving a saccharine taste in my mouth. Anyway, I will not allow my fickle nature to stop me from finding any gems/ideas within a collection that I can take and incorporate into my own wardrobe. Here are some pieces from Senada Theory that separately I’m really feeling.

                     Senada Theory Collage

What are some of your ideas?

♥ the alchemist

When I was really young, I used to love to collect paper dolls, the kind that came in a book with many different outfit changes. I would play with them for awhile but then because I didn’t want to crumple the edges, I would leave them in one place, making a sort of collection of fragile clothes that I would stare at and imagine the different outfit choices. Every now and then I gave in to the urge to play and actually change the outfit but I always knew that they were paper and wouldn’t last that long. I understood back then that nothing beats actual fabric to use on a doll or on yourself to create that timeless dress-up feeling.

I hadn’t thought about the paper dolls in forever that is until I came across this editorial that ran in Vogue Nippon (how I love that particular magazine) in Dec 2006. Photographed by Tim Walker, it is pure genius.

          Cut and Paste Editorial 

              Cut and Paste Editorial

How great would it be to have the ability to cut an outfit out of an magazine and have it be real, not paper? What would be your cut and paste wishlist?

♥ the alchemist

Thrifting is all about the hunt and discovery. There’s that feeling you get when you find something really special. I find that some of the best places for good thrift finds are dark stores crammed to the rafters. Which you don’t really find in New York.

Last year, I found (for me) probably the best item in a thrift store. Out of the corner of my eye, I spy this jeweled tone dress partially sticking out and immediately move towards it. My excitement increases as I move closer until I’m standing right in front of it. At first glance, the material is in pristine condition, a colorful combination of fuschia, golds, reds and checks.

Imagine my surprise when I pull it off the rack and realize that it is even more special than I first thought. I had found an actual Lanvin dress, which the thrift gods had led me to.
Lanvin
The skirt is very structured, billowing out from the hips and tapering at the knee with a sash to wrap around the waist.
Lanvin tag
The best part is the price = $8
Now, I need to find somewhere special to wear it.

♥ the alchemist

SherbetoneAnyone who is a fan of the awesome wardrobe_remix group on flickr, must be familiar with Sarah of sherbetone and all of her wonderful outfits that she effortlessly puts together with thrift finds.

stylealchemy: Sarah, thanks so much for agreeing to do this interview. You’ve become sort of a Flickr/Internet sensation with your wonderful pictures showcasing your incredible sense of style. First and foremost can you tell us about your trademark fringe and your Flickr name: sherbetone

sherbetone: Is it my trademark? I feel so flattered that you think so – since it seems they’ve come back in fashion again and many women have them! I suppose it is. I’ve had bangs (or fringe) for about seven or eight years now. Initially I cut them in very short when I was doing a Rockabilly, Bettie Page-ish thing in my overall style. At that time I was completely obsessed with Pin-Up and Burlesque. I dressed exclusively in fifties fashion. And I liked them so much they’ve just sort-of stuck. I actually have a terrible cowlick in the center so they have to be thick and heavy at all times to avoid a wayward stray.

As for my Flickr name, it’s a blatant plagiarizing of Haruki Murakami. I was reading The Wind-Up Bird Chronicle around the same time I joined Flickr. In the story there is a particular female character that dresses entirely in the style of the sixties (hair and make-up included). The protagonist remembers that this particular style was called ‘sherbet tone.’ I was particularly infatuated with the idea of such a woman – perhaps because I’ve always been fond of decades past with respect to fashion as well.                    Sherbetone Interview Collage

sa: What led you to start posting your outfits online?

st: Um, well I have always been a fan of fashion photography. It was a sort-of evolution that started with Vogue and led to Fruits. Once I discovered street fashion magazines and eventually websites, I didn’t relate to high fashion magazines in the same way – street fashion just seemed more relevant to what I was doing in my own personal style.

Also, I love to sit and watch people. I can do it for hours on end – and often times I am carefully noting their personal sartorial traits. So, when I learned about wardrobe_remix it was almost too perfect. At first I only looked – never posted. In time, I decided to test the waters and I liked the feel of the community of w_r so much that I continued to post.

sa: Your style is so unique, how has your personal aesthetic evolved? How would you describe it? Besides the fringe, do you think you have a signature style?

st: A couple of months ago, when asked a similar question I said: ‘An 80s revival of 50s pin-up with quirk and a dash of overseas influence. I have lived in both Italy and France, so I garnered quite a bit of inspiration from European looks.’  While I think that portions of this are still true, my style is ever-changing.  I suppose at this point, I don’t really adhere to any one decade.  Though one trademark of my style is the inclusion of vintage (which is often thrifted). 

 Thrifting is actually probably what played the biggest role in the development of my personal style.  When I was in high school I was just completely disillusioned with the idea of style-determined castes.  At some point about half-way through the four years, I decided to stop striving to fit a mold I could not afford.  I started to thrift.  And it is not as though things fell beautifully into place and I was an instant fashion plate.  It took time to figure out what worked for me.                     Sherbetone Interview Collage

sa: What are your top three places to shop?

st: Salvation Army, Goodwill Bin Store, and Gabriel Brothers (which is similar to a TJ Maxx, but much cheaper).

sa: Who are your fashion icons, if any? What are some of your style influences?

st: Again, the first person who I really idolized was Bettie Page. She was involved in the construction of many of her costumes worn for pin-up. Aside from the racy, she also understood what worked for her figure. I appreciate that quality in anyone – the ability to know what works for their body. I also appreciate modern girls with real quirk in their style like Chloe Sevigny. She has been bashed by the ‘fashion police’ a million times over and she still abides by her own aesthetic.

sa: What are the best vintage/thrift purchases you’ve ever made?

st: Most recently I was happy to finally find a feminine pair of vintage driving gloves at a local store. I’ve been wearing them quite a lot this winter. As far as thrifted items are concerned, I have a wool, cream and white patterned car coat from the sixties with a silver fox collar that I bought for a quarter during a summer sale at the Salvation Army. I’ve had it for years and I never tire of it. It was at the same Salvation Army that I bought a vintage Oscar de la Renta skinny, silk scarf that always feels relevant no matter what the trend.

Likewise, I bought a silk wiggle dress with a matching bolero from, I believe, the early fifties from the same Salvation Army for two dollars. It’s perfect in every way. And lastly, several vintage bras purchased from Italian outdoor markets – they seem to have the best vintage lingerie in immaculate condition.

sa: Do you have a favorite outfit, something that you’re really drawn to lately?

st: I’ve been ravenously seeking out and collecting bustiers from thrift stores for the past couple of months. I think I am returning to my fashion roots, so-to-speak, at the moment – I’ve been attracted predominantly to high waists and boudoir touches.

sa: Do you collect anything? Any hobbies, interests, etc?

st: In general, I live a relatively quiet life – in the sense that I don’t really spend much time in the ‘scene’. However, I travel all the time and it’s one of the things I love to do most. Having studied in Europe twice (two months in France and one year in Italy) I am always yearning to go back. For the time being, I tend to stay stateside visiting my friends who are spread from coast to coast.

When I travel I usually indulge in my three other intense loves:music, food, and visual culture (everything from fashion to film to art). Film, in particular, is something that I consume at a tremendous rate whenever possible. And I’m ever and always willing to try new delicacies (within the realm of my vegetarian diet), bake new cakes, and tweak existing recipes. In general I also very much enjoy: Mid-Century design and furniture, sickeningly cute, kitschy bric-a-brac, old cameras (especially of the Polaroid variety), mixed CDs made just for me, stop-animation, and Japanese dollar stores.

sa: What’s your favorite era for fashion?

st: This is a difficult question to answer because I really do love them all for different reasons. Obviously I adore the fifties because it suits my body’s shape, but I also have a deep appreciation for the earlier decades of the forties and thirties.
Also, the sixties with respect to French pop (yeye) and certain film styling. And though you may not believe it, I was once exclusively into Hip-Hop, both the fashion and the music. So, I have a deep-seated attraction to the style of early Hip-Hop before commercialization.

sa: What piece of clothing can you not live without?

st: This is a terribly difficult question as well! I think I’ll say the vintage dress – I have a ridiculous number of them.

Sherbetone  sherbetone

sa: Most of your clothes seem to be thrift finds. Do you have a strategy when you go thrifting?

st: To be completely honest, no. I do have a way in which work through I thrift store, but I think that is based on my own methodologies. For example, I always start with the shoes since it is difficult to find quality vintage in a size 10. Then I move into the dresses. And I think that this routine is based entirely on the paranoia that someone else might get there first. Ha. One thing I do suggest is to know fabrics and textiles really well. I think it aids in being able to spot the quality vintage on a crowded rack.

sa: I’ve noticed in your Flickr descriptions that you write a lot of clothes are remixed, what exactly does that mean? Share a creative tip for others to remix their clothes in an interesting way.

st: Oh, ‘remixed’ just means that you’ve seen that particular article of clothing in a previous photo – meaning I have worn it before in a different way.
Well, as far tips for remixing clothes, I’d say don’t limit what you own. As in, don’t think of t-shirts as strictly ‘casual’ or skirts as ‘dressed-up.’ It keeps things interesting.

sa: What is your profession/what do you do for a living?

st: At the moment I am doing architectural preservation and restoration of historic finishes.
I have two degrees, both in cultural preservation. I need to get a third, a Master’s Degree, in Painting Conservation. Then I will be able to work in major institutions or set-up private practice in my field.

sa: For the recent shoot with your friend/photographer (Laura Kicey), you did the incredible styling. How did you get into that? How did that beautiful shoot come about?

Laura Kicey ShootLaura Kicey Shoot    

                                            photos © laura kicey

st: I am very fortunate to have a good number of extremely talented photographers as friends, Laura being one of them. She and I have collaborated in the past. Knowing that she is more than capable of producing beauty, I had mentioned a particular shoot I had in mind concerning fashion. She scouted the type of location I was envisioning, so we went for it.

In the case of this shoot I styled myself because I felt the clothes were a bit more eccentric than previous shoots, but I wanted them to convey a sense of softness. I wasn’t sure how to convey that overarching idea to a model, so I decided to attempt it myself. This is also why I wanted Laura to act as photographer – because I knew she would capture the clothes in such a way.

Sherbetone Inspiration

sa: Is it safe to assume that you are available for professional styling?

st: Yes! I have styled two other shoots in addition to the shoot with Laura.
I really adore doing this – it’s just so genuinely gratifying for me to see the end result.

sa: Is there anything else you would like to add?

st: Just want to say thanks so much for allowing me to fill space on your blog. And many thanks to those who find what I do with clothes of interest.

To the left are five images of Sarah’s everyday life that inspire/make her happy.

Clockwise from top left:

1. My Cat Astrid, 2. Cheap lunch specials with people dear to me 3. Old cameras, new photos and finding things others have abandoned 4. Large breakfasts 5. The Santo Spirito Market in Florence, Italy and my lovely friends who I met there.

Thanks again, Sarah! Check out her style: http://flickr.com/photos/sherbetone

♥ the alchemist

I saw this editorial in Zink magazine and I couldn’t keep my eyes off of it. I’m drawn to the color combinations and am frantically thinking of ways to incorporate into my current wardrobe.

This is why I can never have too much inspiration, I ‘ve seen enough crazy color combinations that work and don’t work to have a sense of what I like. Then I see how another stylist put things together and how a photograper uses that to create an interesting picture and I get a renewed sense of color fever. Annabelle Tiaffay is the amazing photographer for this editorial.

              True Blue

              True Blue

              True Blue

It was this last group of pictures that really made my adrenaline pump. The electric blue tights with the hot pink shoe a neutral short and that lemony green top with a neon blue headband is just pure genius to me. As in I wanted to wear that yesterday.

What do you think?

♥ the alchemist

Loved this editorial in the Feb issue of Jalouse. Photographed by Skye Parrott.

               Magical Mystery Tour 

scan via unipine at the fashion spot

♥ the alchemist